WORLD OF MOVIES

In recent times, we’ve observed that star heroes are taking longer to release their next films. For instance, Allu Arjun took nearly three years after his last release in December 2021. NTR’s next film came almost two years after *RRR*. Ram Charan’s *Game Changer* is expected in 2025. Most star heroes, except Prabhas, are taking years between films because they’re aiming for pan-India releases. It’s not easy to deliver such films, as they require strong stories, massive budgets, and the biggest challenge—finding the right director. When we look at Tollywood’s directors, we have names like Rajamouli, Sukumar, Trivikram, Koratala Siva, and Nag Ashwin. Rajamouli, for instance, takes at least two years to finish a movie. He pioneered the path that many directors are now following. Sukumar also spent years completing *Pushpa*. Since heroes are targeting pan-India releases, they need these star directors. However, most directors, except for Trivikram, are tied up with ongoing projects, leavi...

  I was absolutely thrilled and got goosebumps when Lord Krishna appeared on screen. With stunning graphics and impeccable background music, I genuinely felt transported to Kurukshetra. The most brilliant aspect was the director’s choice not to reveal Krishna’s face, instead giving Him a unique and fitting appearance. It was both refreshing and respectful of the divine character's mystique. The Mahabharata scenes were crafted with such precision that every shot looked like a piece of art, reminiscent of an epic painting. The voice chosen for Krishna was perfect, carrying both authority and serenity. The climax of the Mahabharata battle was awe-inspiring and stayed with me long after the scene ended. Watching it, I couldn’t help but feel that Nag Ashwin has the talent to bring India’s most beloved epic, the Mahabharata, to life on a grand scale. One of the most powerful moments was when Krishna reveals to Arjuna that Karna is, in fact, stronger than him, offering three reasons why A...